I wrote about the movement of people and water in El Paso/Juárez and parts of New Mexico for CityLab and the process of making an animated meander map for the Rio Grande/Río Bravo because one did not already exist and sometimes you have to make the map you want to see in the world.
View full animated essay here:
Thrilled to announce selections from ‘Fred’s Rainbow Bar and Other Stages on the International Border’ ( @fredsrainbow ) debuted at the Feminist Border Arts Film Festival at New Mexico State University on April 16.
Fred’s Rainbow Bar and Other Stages on the International Border (working title) is an in-progress topographical film essay and archive using a variety of animation styles along with live-action and archival imagery to interrogate histories, memories, and imaginings of the border landscapes of El Paso, Texas and Ciudad Juárez, Chihuahua, Mexico, the region where I grew up. The film is mostly set in the early 9o’s or the era before NAFTA and before the erection of the Border Security Fence with flashbacks to the Battle of Juárez and flashes forwards to contemporary events, like the razing of the ASARCO smelter. The International Border (or the river with two names) remains the main-frame through which events unfold. More information about the project and clips coming soon. For specific questions contact me here: nicole.antebi(at)gmail.com Visual Notes
This film was made possible in part from a generous grant from the Jerome Foundation. If you would like to support this project, please consider making a tax-deductible donation through Brooklyn Arts Council (acting fiscal project through 2018). All amounts welcome and thank you in advance for your support! -Nicole
